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Pyer Moss Collection 3 Reviews — “The show continued Jean-Raymond’s missio
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Collection 3 Reviews — “The show continued Jean-Raymond’s mission to give credit where credit is due—by giving the black people who contributed to American pop culture their moment in the spotlight, a spotlight that was unjustly denied in the past due to the institutional racism that plagues this country. Sister: The Third Collection was the final part in this trilogy of collections titled American, Also. Jean-Raymond ushered in the new era of Pyer Moss with a collection that truly demonstrated his range through streetwear-tinged puffers made for his Reebok collaboration, elegant and ethereal eveningwear looks that seemed like something Diana Ross would have worn in the ‘70s, piano fanny packs and paintings-turned-prints by recently exonerated artist Richard Phillips that paid tribute to Sister Rosetta Tharpe, and the designer’s signature boxy color-blocked leather jackets. Jean-Raymond appeared on the stage after the finale, and the crowd cheered in a standing ovation, crowning him the king of New York Fashion Week.” -Ann Binlot, Document Journal Смотреть полностью
Pyer Moss Collection 3 Reviews — “Escovedo’s flawless execution paired wit
Kings Theatre
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Collection 3 Reviews — “Escovedo’s flawless execution paired with Jean-Raymond’s vision was unlike anything I’d ever seen before. It made me feel seen for the first time at a New York Fashion Week show. Author Casey Gerald delivered the opening monologue. There were silk  tunics, dresses so light and airy they seemed to float, wide-leg pants, bolero jackets, and even a leather handbag in the shape of guitar. On my way out, I saw a security guard dancing in the doorway. The doors were open and the music rang out in the streets. I felt free. I felt lifted.” - Channing Hargrove, Refinery29 Смотреть полностью
Pyer Moss Collection 3 Reviews — “[Kerby Jean-Raymond’s] shows offer an au
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Collection 3 Reviews — “[Kerby Jean-Raymond’s] shows offer an authentic experience. He cast many of his models, for example, from an open call on Instagram, yet he doesn’t try to overstate the point on the runway. He has consistently used musical performances — typically a choir — that have grown in size and quality. But, again, these touches feel integral to the whole mood. And he has been extraordinarily thoughtful about streetwear and related styles, avoiding the overly embellished or aggressive stuff you tend to see on runways. You simply never know what to expect at Pyer Moss.” -Cathy Horyn, The Cut Смотреть полностью
Pyer Moss Pyer Moss Collection 3 Reviews — “This was Jean-Raymond reclaiming
Kings Theatre
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Pyer Moss Collection 3 Reviews — “This was Jean-Raymond reclaiming the black experience in America. And it’s the most important thing to happen to American fashion in years, maybe even decades… The collection, called Sister, retraced the work of Sister Rosetta Tharpe, the queer black woman who invented rock-and-roll in the 1940s but is rarely credited with having done so. It was the silhouette that stayed with you: the strong shoulders on a sequined, gridded dress, the sculptural, curved edges of a white poncho, the straight-line trousers worn with cowboy boots. It was rock-and-roll fashion if rock-and-roll had “stayed black,” Jean-Raymond said. These were his most sophisticated garments to date.” -Lauren Sherman and Chantal Fernandez, The Business of Fashion Смотреть полностью
Pyer Moss Collection 3 — Full Runway Video, now up on pyermoss.com
Kings Theatre
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Collection 3 — Full Runway Video, now up on pyermoss.com
Pyer Moss Thank you for all the love you’ve shown us for Collection 3 — The
Kings Theatre
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Thank you for all the love you’ve shown us for Collection 3 — The full runway video will air tomorrow at 11A EST on pyermoss.com Смотреть полностью
Pyer Moss Collection 3 Reviews— “In the Flatbush neighborhood of Brooklyn, a
Kings Theatre
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Collection 3 Reviews— “In the Flatbush neighborhood of Brooklyn, at the historic Kings Theatre, Pyer Moss designer Kerby Jean-Raymond unveiled the final collection in his ambitious trilogy “American, Also.” The first part paid homage to black cowboys; the second celebrated the everyday lives of black Americans — lives that have been under assault as people sit in a Starbucks or picnic or nap in a student lounge. The final chapter, subtitled “Sister,” focuses on the contribution of Sister Rosetta Tharpe, a black woman whose pairing of gospel music with the electric guitar in the 1930s and ’40s was a precursor to rock and roll. The models emerged to walk the runway and to correct history. There were lanky dark-skinned men in square-shoulder jackets that recalled the coordinated styles of the Temptations; bold prints based on the paintings of Richard Phillips, who was recently exonerated after spending 45 years in prison; long, sweeping coats that mimicked gospel choir robes; and dramatically draped dresses with all of the drama of Ebony Fashion Fair.” -Robin Givhan, The Washington Post Смотреть полностью
Pyer Moss Collection 3 Reviews— “It’s been a long time since a New York de
Kings Theatre
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Collection 3 Reviews— “It’s been a long time since a New York designer displayed real riotous ambition — ambition that doesn’t have anything to do with Instagram or likes or serving here-today-gone-tomorrow desires. A long time since one took on the national conversation with nuance and a lack of fear. ‘Diversity and inclusion’ have become buzzwords of the moment (they are included in the handout at practically every show), but this wasn’t about that. It was about ownership. It was about forcing a deeper reckoning at a time when race has become a dividing line in the country, and embracing a different understanding in order to move forward. That Mr. Jean-Raymond can do it so gracefully, without accusation, and with such multilayered meaning, is what makes him so effective.” —Vanessa Friedman, The New York Times Смотреть полностью
Pyer Moss Collection 3 Reviews — “Pyer Moss has consistently put on grand ru
Kings Theatre
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Collection 3 Reviews — “Pyer Moss has consistently put on grand runway shows in its history, with last year’s SS19 event bringing fashion’s elite to Weeksville Heritage Center in Brooklyn for a family reunion-style gathering. What’s critical about putting on a theatrical display, however, is ensuring that the clothes aren’t lost in the mix of it all. And once again, through his Collection 3 showcase dubbed “Sister,” creative director Kerby Jean-Raymond has proven that both can be done — and done so in an exemplary manner. Crowds swarmed the doors of Kings Theatre in Flatbush, Brooklyn last night in anticipation of what has become one of the industry’s most sought-after experiences. Despite the year-long hiatus since his last show, Jean-Raymond has proven consistent in his mission of uplifting people of color and reversing the erasure of blackness.” -Nia Groce, Hypebeast Смотреть полностью
Pyer Moss Collection 3 Reviews — “Puzzled passersby on Flatbush Avenue all s
Kings Theatre
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Collection 3 Reviews — “Puzzled passersby on Flatbush Avenue all seemed to be asking themselves the same question: What kind of performer draws a sold-out crowd at this 3,000-person-capacity venue on a Sunday night? ... As the first model bounded down the runway to the sound of Anita Baker’s “Sweet Love,” sporting rhinestone-studded wide-leg pants, a bolero jacket, and a halolike Afro, the staid rocker archetype—skinny, white, male—was instantly turned on its head.” -Chioma Nnadi, Vogue Magazine Смотреть полностью
Pyer Moss Credits— peace to our family. Thank you to everyone who came out las
Relationship Goals
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Credits— peace to our family. Thank you to everyone who came out last night to hear us out.
Pyer Moss Just a super friendly reminder. Collection 3— tonight.
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Just a super friendly reminder. Collection 3— tonight.
Pyer Moss
by Kerby Jean-Raymond.
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